Angelo Vertti, 18 de setembro de 2022

In the same way, many people in the public eye used the medium of photography to increase their popularity. 81 54cm With work from artists including Dante Gabriel Rossetti, Edvard Munch, douard Manet, Dodo, Nan Goldin, and Mickalene Thomas, the femme fatale is seen in all her many embodiments. Gender describes the social, lived, perceived sex of a person. 1891 The cut-off head was presented on a platter. They sometimes even adopted the characteristics of a femme fatale themselves or, as in the case of Alma Mahler, they were the product of an obsession. White Supremacy is the ideology that white people, and all their ideas, actions and opinions are superior to those of BIPoC. December is a quiet month for blockbuster openings; most of the major galleries completed their business back at the start of autumn. This process may also take place symbolically, for example when young girls feel empowered by the encouraging writings of a feminist. Das Programm der Bildung & Vermittlung wird mageblich gefrdert von Frst Bismarck Quelle. Many aspects of Mossas paintings of this period were also indictive of the decadent movement, with his references to Diabolism, depictions of lesbianism (such as his two paintings of Sappho), or an emphasis on violent, sadistic or morbid scenes. Earlier feminists had often focused on the concerns of middle-class, white, western women. The Statue Of Liberty Text from the Hamburger Kunsthalle website, Carl Joseph Begas (German, 1794-1854) Medienpartner: Hamburger Abendblatt, Arte Arthur Benda (23 March 1885, in Berlin 7 September 1969, in Vienna) was a German photographer. Noted for his portraits, he did more than 200 commissioned ones over the years, including of Albert Einstein and Paul von Hindenburg. 69.8 cm x 69.5cm Um diesen Fragen nachzugehen, versammelt die Ausstellung medienbergreifend etwa 200 Exponate. On display are paintings by Pre-Raphaelite artists (Evelyn de Morgan, Dante Gabriel Rossetti, John William Waterhouse) as well as works of Symbolism (Fernand Khnopff, Gustave Moreau, Franz von Stuck), Impressionism (Lovis Corinth, Max Liebermann), Expressionism and New Objectivity (Dodo, Oskar Kokoschka, Jeanne Mammen, Edvard Munch, Gerda Wegener). coloured stones are sparkling everywhere; the harp especially is aglitter with fake jewels. According to Corinth, Strathmann knew how to glue and sew these on the canvas with admirable skill., Anonymous. The educational programme for the exhibition is sponsored mainly by Frst Bismarck Quelle. The Pre-Raphaelites deliberately emphasised the contrast between the subjects mythological demonisation and their visualisation as sensual beings of ethereal beauty. Were you there? Both of them addressed the relationship between the sexes in their art and in some cases already created androgynous figures. Vorher werden sie von unseren Restauratorinnen. In Fernand Khnopffs subtle drawings, the femme fataleappears as a mysterious, ambiguous projection, addressing the themes of stereotypical femininity and androgyny. 1971) The Masked Woman is a self-portrait series that explores representation of gender in Nigeria society through a performative lens. The term People of Color, PoC for short, is a self-designation and does not describe, like the terms Black and white, any particular skin tones. In 1906, Stuck was awarded the Order of Merit of the Bavarian Crown and was henceforth known as Ritter von Stuck. The term Black Culture describes Black popular culture which deals mainly with entertainment, pleasure as well as knowledge and which is expressed via aesthetic codes and genres. He conveys his visions, his inner landscape and is conveyed by them. Work evidently inspired by the #MeToo campaign is also present: Betty Tompkinss Apologia (Artemisia Gentileschi) (2018), for example, combines text from a statement by the late painter Chuck Close after allegations of sexual harassment with Gentileschis celebrated Judith Beheading Holofernes (around 1613-14)itself considered a response to Gentileschis own rape as a young woman in 1611. For more information and dates, visit www.hamburger-kunsthalle.de. Ihre Inszenierung als wie sie es nennt Super Femme fatale ist ebenso kritisch wie aneignend und schliet an aktuelle, drngende Diskurse an., Gefrdert von: Freunde der Kunsthalle e.V., Ernst von Siemens Kunststiftung, Rudolf-August Oetker-Stiftung, Philipp Otto Runge Stiftung, Behrde fr Kultur und Medien der Freien und Hansestadt Hamburg und Herbert-Plumpln-Stiftung. 18 Sat11:00 Familienzeit Limited Availability Find tickets Mar 18 Intersectional feminism therefore aims to recognise and make visible the multi-layered perspectives of people who experience overlapping forms of oppression. 1864 All rights reserved. SHK / Hamburger Kunsthalle / bpk Oedipus and the Sphinx In order to understand the myth and construction of the femme fatale stereotype the exhibition investigates, through art and representation, concepts such as sexuality and its demonisation, the male and female gaze, white ideals of beauty, racism, Orientalism, anti-Semitism, power relations, hate, non-binary gaze, gender roles, myth and religion and black feminism. What is striking here is the simultaneity of important achievements of womens emancipation and the increased appearance of this male-dominated image of women. But thats not all. Plaster Racism comes in many forms. Purchased 1927. VG Bild-Kunst, Bonn 2022 The short form BIPoC combines the communities referred to but also underlines their different experiences. 150 137cm In Carl Strathmanns almost humorously exaggerated depiction of the Head of Medusa, on the other hand, Medusas petrifying gaze is no longer intended to shock the viewer. Bertsch suggests that these works visualise long-outdated gender relations and stage the female body in an erotic fashion that often appears sexist and misogynist to our modern eyes. He adds: The exhibits are to a large extent products as well as projections of distinctly male fantasies., In saying this, the curator points to the controversy over another Waterhouse painting: Hylas and the Nymphs (1896), which was removed from display at the Manchester Art Gallery in 2018 as part of a commissioned work by the contemporary artist Sonia Boyce. All rights reserved. The featured positions of the early feminist avant-garde (including VALIE EXPORT, Birgit Jrgenssen, Ketty La Rocca, Maria Lassnig, Betty Tompkins) along with current works based on queer and intersectional feminist perspectives (Nan Goldin, Mickalene Thomas, Zandile Tshabalala, among others), build a bridge all the way to the present. VG Bild-Kunst, Bonn 2022 Her explicit renderings of the human body draw heavily from the artists travels and from Japanese woodcuts, Greek vases, and visual motifs from Eastern religions, including Tibetan Buddhism, Indian Tantrism, and Christian ecstatic traditions like those of the seventeenth-century Baroque. Oil on canvas Das Stereotyp der erotisch-verfhrerischen und begehrenswerten Frau, die Mnner in ihren Bann, aber letztendlich auch in ihr Unglck zieht, war lange von mnnlichen Blickmustern und einem binren Verstndnis von Geschlecht geprgt. Oil on canvas Arresting representations of female corporeality, meanwhile, such as those created by Maria Lassnig and Dorothy Iannone, provide positive images that leave the narrative of demonic, deadly female sexuality far behind them. Im Karussell der Diakonservierung, SCHULANGEBOTE: Die Poesie der Venezianischen Malerei, Schulangebote: Warten. For example, for many in a heterosexual relationship it is still a given that the woman takes parental leave after a pregnancy to take care of the child while the father continues to work. Diese und weitere Arbeiten von Ufan gibt es in unserer aktuellen Ausstellung ATMEN zu sehen. When Kalckreuth left, he did as well; moving to Munich, where he lived a Bohemian lifestyle as a free-lance artist, and met the painter Lovis Corinth, who became a lifelong friend and associate. She is thought to be pure, innocent and therefore endearing. Oil on canvas A similar composition featuring a vision of John the Baptists floating head is found in Odilon Redons Apparition. Evelyn de Morgan (English, 1855-1919) Others, by contrast, welcomed the participatory gesture of the measure with its encouragement of an open discussion of socially relevant topics.. He soon began exhibiting at their annual summer exhibitions, focusing on the creation of large canvas works depicting scenes from the daily life and mythology of ancient Greece. How are power and gaze relationships reversed here? Staatliche Schlsser, Grten und Kunstsammlungen Mecklenburg-Vorpommern, Staatliches Museum Schwerin From the 1980s, this negative meaning was consciously and provocatively reversed by activists and the term was used positively. Dieses Frauenbild wurde um 1900 vermehrt auch auf reale Personen, insbesondere Schauspieler*innen, Tnzer*innen oder Knstler*innen (wie Sarah Bernhardt, Alma Mahler oder Anita Berber) projiziert. In 1906, Arthur Benda met photographer Dora Kallmus, who also trained with Perscheid. Ausstellung & Dinner / Femme Fatale . 5 Glockengieerwall, Hamburg 20095, Germany; It is not a biological term, rather a position in society. The artist Jeanne Mammen, whose early work was greatly inspired by Symbolism, articulated womens growing self-awareness and a new understanding of sexuality and gender in her paintings, while Gerda Wegeners portraits of Lili Elbe drew attention to the existence of gender identities beyond the binarism of male and female. His artworks were known for their depictions of women from both ancient Greek mythology and Arthurian legend. From the five-part series Of Woman The Free the Nipple movement is fighting against this. Sphinx The breast perceived as female is also censored in social media. This is why we are so pleased to support the ground-breaking education and outreach programme for the FEMME FATALE exhibition., Mediapartners: Hamburger Abendblatt, arte. In the late 19th century, artists began using exaggeration and caricature to highlight the grotesque, bizarre and absurd qualities of thefemme fatalemotif, suggesting that the traditional image of the wickedly seductive enchantress had become redundant. The show, particularly its more salacious paintings, may not be to everyones taste. Aktuelle knstlerische Positionen wiederum verhandeln Spuren und Anverwandlungen des Bildes oder etablieren explizite Gegenerzhlungen hufig mit Bezug auf die #MeToo-Bewegung, Fragen nach Genderidentitten, weiblicher Krperlichkeit und Sexualitt sowie in Auseinandersetzung mit dem male gaze. For selected exhibits, supplementary tactile copies are provided, which give people with visual impairments a way of accessing the exhibition independently by feeling contours. Datenschutz /Impressum /Hausordnung. Yes, Oskar Kokoschka went particularly far with his admiration for Alma Mahler. Haspa-Galerie: Datenschutz /Impressum /Hausordnung, Long-term project for the conservation of slide-based artworks (2015-2018). Her material possessions, together with the fact that she is resting, are markers of luxury. In the period around 1900, the image of thefemme fatalewas increasingly projected onto real people. 1894 Stucks subject matter was primarily from mythology, inspired by the work of Arnold Bcklin. So soll es sein, es hilft gegen . In the required non-binary form of society which would be interested in the equality of the different this form of exercising power would not even exist. Samson and Delila Eurocentrism means a view of the world that renders European history and so-called European principles as the primary measure of value. Foto: Wolfgang Fuhrmannek, HLMD, Franz Ritter von Stuck (February 23, 1863 August 30, 1928), born Franz Stuck, was a German painter, sculptor, printmaker, and architect. The exhibition explores these questions based on some 200 exhibits across diverse media. Gaze - Power - Gender. Please feel free to send us an Email: 1905 Yet the couples daring and provocative performances are being re-assessed within the history of the development of expressive dance, and their extraordinary book Tnze des Lasters, des Grauens und der Ekstase (Dances of Vice, Horror and Ecstasy-1922), is a gesamkunstwerk (total work of art) of Expressionist ideology largely unrecognised outside a devoted cult following. The brown tones of the snakes body stand out in contrast with the pale womans body, but take up the colour scheme of the surrounding jungle. Trans means across or beyond and, in relation to gender, refers to a person who does not identify with the sex assigned to them at birth and who experience themselves beyond it. After 1875 The term anti-Semitism describes a hostile attitude towards Jews. The term femme fatale originally describes a sensual, erotically seductive woman who puts men in danger and plunges them into their misfortune not seldom with deadly consequences. There is the age of decadence in France, in which the male artist sees himself as frail and in this way stylises himself as the victim of the apparently overpowering women. Bertsch: She definitely does. ALT 2 5 A heteronormative society divides people into the binary categories of men and women, values men as more important and tends to be hostile towards queerness. The classicalimage of the femme fatale feeds above all on biblical and mythological female figures such as Judith, Salome, Medusa or the Sirens, who were widely portrayed as calamitous women in art and literature between 1860 and 1920. Foto: Michel Graniou, Gustav-Adolf Mossa (28 January 1883 25 May 1971) was a French illustrator, playwright, essayist, curator and late Symbolist painter. Gaze Power Gender at the Hamburger Kunsthalle. The Toilette of Salome (second version) Thus, the myth of the femme fatale circulates in people's minds and is reflected in the tradition of images. . Although ancient myths still provided the subject matter for these interpretations, they were increasingly losing their exemplary function and could often only be transposed to the present in a grotesque guise. The Satiated Siren (Die gesttigte Sirene) The asterisk stands for further identities that are perhaps not or not completely included therein, to leave no one out. The exhibition theme will also be explored in interdisciplinary depth in the accompanyingcatalogue(Kerber Verlag), scheduled for publication in early 2023. Carl Strathmann (German, 1866-1939) The lack of historicising details and focus on the strength of the austere-looking female figures, however, situate Liebermanns stark images more decisively in the present than those of Corinth. Tempera on canvas Ina Hildburg-Schneider is an art historian and has been an editor at the Friends of the Kunsthalle since 2022. Salome II The exhibition is accompanied by a particularlyextensive art education programme: In addition to a diverse range ofguided toursincludinglivestreams of curator talks,achatbot modulewill debut that lets visitors enter into a dialogue with sixfemme fatalefigures from the art-works on view. On the 4th Thursday of each month, aSalon fatalwill dedicate itself to socially relevant topics that tie into the exhibition such as sexuality and the construction of beauty ideals. What role does it still play today? Salome, who features prominently in the New Testament, albeit without being named, became famous for a dance: she danced so impressively and seductively at a feast that her powerful stepfather Herod assured her that he would grant her any wish in return. The exhibition theme will also be explored in interdisciplinary depth in the accompanying catalogue (Kerber Verlag), scheduled for publication in early 2023. Gender describes the social, lived, perceived sex of a person. Proposed gift from Rachel and Jimmy Levin 2022 C performing as Madonna, Bangkok Gaze Power Gender showing in the bottom posting, the room layout with sections to the exhibition. Museum der bildenden Knste Leipzig Oil on canvas A text-based dialogue system using artificial intelligence playfully tells background stories about the works and their artists. 62 46cm VG Bild-Kunst, Bonn 2022 The legend of Lorelei also has a remarkable resonance in contemporary art: in her video work das Schne muss sterben!, for example, Gloria Zein transfers the narrative into the urban present, giving it an ironic twist and reflecting critically on the power of beauty; Aloys Rump traces the myth that surrounds this famous rock in the Rhine back to its material origins, exposing the Lorelei legend as pure invention and projection. Die Schau geht nicht nur den knstlerischen Erscheinungsformen des Themas vom frhen 19. This is documented by a photo series in the exhibition. She symbolises a visually coded female stereotype: the sensual, erotic and seductive woman whose allegedly demonic nature reveals itself in her ability to lure and enchant men often leading to fatal results. The image of the New Woman was omnipresent in illustrated womens magazines and satirical journals of the time. 1967 In a similar way, Goldins video works place the mythological figures of Salome and the Sirens in new contexts. Als ein Gegenbild, das Aspekte der Femme fatale-Figur spielerisch aufgreift, wird daher fr die Ausstellung auch die in den 1920er-Jahren aufkommende Neue Frau wichtig. And after the wedding, the woman takes his name. Everything that was previously present as a mythical reference dissolves, and art faces the current political and social realities more strongly. The Devil Showing Woman to the People Courtesy of the artist and Marian Goodman Gallery, New York Die Publikation ist zum Preis von 39 Euro im Museumsshop oder ber www.freunde-der-kunsthalle.de zum Buchhandelspreis von 50 Euro erhltlich. Boys are seen as wild and rebellious, girls as calm and understanding. When recipients of state benefits are depicted as unwilling to work and unintelligent, this is an example of classism. She was educated in Paris and Brussels. Zu sehen sind Gemlde prraffaelitischer Knstler*innen (Evelyn de Morgan, Dante Gabriel Rossetti, John William Waterhouse) ebenso wie Werke des Symbolismus (Fernand Khnopff, Gustave Moreau, Franz von Stuck), des Impressionismus (Lovis Corinth, Max Liebermann), des Expressionismus und der Neuen Sachlichkeit (Dodo, Oskar Kokoschka, Jeanne Mammen, Edvard Munch, Gerda Wegener). Zandile Tshabalala (South African, b. A light of its own 2023, Exhibition: Andy Warhol and Photography: A Social Media at the Art Gallery of South Australia, Adelaide, Exhibition: Georgia OKeeffe, Photographer at the Cincinnati Art Museum, Exhibition: A New Power: Photography in Britain 1800-1850 at the S T Lee Gallery, Weston Library, Bodleian Libraries, Oxford, Exhibition: In the Eye of the Storm: Modernism in Ukraine, 1900-1930s at the Thyssen-Bornemisza Museum, Madrid, Exhibition: Paul Strand: The Balance of Forces at Fondation Henri Cartier-Bresson, Paris, Exhibition: Jimmy DeSana: Submission at the Brooklyn Museum, New York, Exhibition: Samuel Fosso at the Museum der Moderne Salzburg, Exhibition: Ill Have What Shes Having: The Jewish Deli at the New-York Historical Society, Text: In Press chapter from Marcus Bunyans PhD research Pressing the Flesh: Sex, Body Image and the Gay Male, RMIT University, Melbourne, 2001, Exhibition: 'nude men: from 1800 to the present day' at the Leopold Museum, Vienna / Text: Marcus Bunyan. Despite her nakedness, the image is in no way about conforming to a male gaze. John Collier (English, 1850-1934) ppettider Hamburger Kunsthalle. A free companion booklet, produced in collaboration with Missy Magazine, opens up intersectional and (queer) feminist perspectives on the show. Blick - Macht - Gender. Thank you. ), this is supposed to indicate that its wearer is morally depraved. This Eurocentric ideal of beauty can already be detected in the nineteenth-century work Lady Lilith by Dante Gabriel Rossetti. Supported by:Freunde der Kunsthalle e. V., Ernst von Siemens Kunststiftung, Rudolf-AugustOetker-Stiftung, Philipp Otto Runge Stiftung, Herbert-Pumpln-Stiftung, Hamburg Ministry of Culture and Media. In Gustav-Adolf Mossas The Satiated Siren, meanwhile, the sirens outstanding feature is her bloodthirsty instinct. To investigate the constellations of gaze, power and gender that are constitutive for the image of thefemme fataleand its transformations over time, the exhibition has assembled around 200 exhibits spanning a broad range of media and periods. John William Waterhouse RA (6 April 1849 10 February 1917) was an English painter known for working first in the Academic style and for then embracing the Pre-Raphaelite Brotherhoods style and subject matter. Closed Mondays. Most of us would casually associate the term with the slinky, blonde-capped characters in 1940s American film noirthink Barbara Stanwyck or Rita Hayworthor perhaps further back with the sultry vamps of the silent-movie era. Conspiracy theories also often contain anti-Semitic elements, as it is imagined that all Jewish people are wealthy, influential and well-connected and thus able to act as secret string-pullers in international affairs. The term Black is therefore not about biological characteristics but about socio-political affiliations. Nan Goldin. Max Liebermann (German, 1847-1935) 187.5 x 287cm, Strathmanns curious work occupies an intermediate position between the art of painting and the crafts. Muse des Beaux-Arts, Nizza April 2023 Die Femme fatale ist ein Mythos, eine Projektion, eine Konstruktion. A white woman, on the other hand, experiences sexism too but benefits from her white privileges. Please click on the photographs for a larger version of the image. www.hamburger.kunsthalle.de. Archival pigment print, ed. 1916-1918 Otto Greiner (16 December 1869 24 September 1916) was a German painter and graphic artist. Instead, she leads a contented solo life as a super femme fatale as she writes herself. The painter developed an obsessive desire for Mahler during their affair and at the same time stylised her as a disastrous, destructive force a demonisation that reached its climax in the destruction of a life-size fetish doll he had commissioned in his ex-lovers likeness. 1900 Text from the Metropolitan Museum of Art website, Lady Lilith is an oil painting by Dante Gabriel Rossetti first painted in 1866-1868 using his mistress Fanny Cornforth as the model, then altered in 1872-1873 to show the face of Alexa Wilding. Other female artists reimagine the mythological figures who were long depicted asfemmes fatales, presenting them, as Francesca Woodman did, in subtly restaged scenarios; depicting them as powerful goddesses as seen, for example, in the works of Mary Beth Edelson; or, like Sylvia Sleigh, situating them outside the boundary of binary gender. His paintings are strange concoctions studded with colored glass and artificial gems, foreshadowing similar extravagances by the Viennese Jugendstil painter Gustav Klimt. Individual features such as lipstick, stubble or breasts are not read as indicators of gender, but are perceived impartially and without this filter in their specific properties, such as shape, colour, structure etc. They are as much an expression of his fears as of his self-stylisation as a victim and once again reveal Munchs image of the femme fataleto be a misogynistic projection. Bitte beachten Sie folgenden Hinweis. However, his wish for a doll that was as lifelike as possible was not fulfilled the result disappointed him greatly. Likewise, Jenevieve Akens series The Masked Woman [below] is about self-fulfilment. Her self-portrayals show everyday scenes from the life of a woman in Nigeria who has decided against the role of the subordinate housewife. She was said to be surrounded by empty morphine syringes. The clean girls with the most TikTok views represent this kind of standard beauty: thin, white and wearing expensive clothes. Judith is described in the Old Testament as a beautiful, wealthy and, besides this, pious widow who defended her Jewish homeland against the seizure by the Assyrian general Holofernes. Jenevieve Aken. Discrimination can therefore not be understood as a consequence of individual qualities. bpk I RMN Grand Palais I Ren-Gabriel Ojda, Birgit Jrgenssen (Austrian, 1949-2003) Foto: Elke Walford. Stamm: I believe that the picture has something to do with a growing womens movement in the 19th century, which became more and more institutionalised from 1865 right up to womens suffrage. She symbolizes a visually coded female stereotype: the sensual, erotic and seductive woman whose allegedly demonic nature reveals itself in her ability to lure and enchant men often leading to fatal results. Her performances broke boundaries with their androgyny and total nudity, but it was her public appearances that really challenged taboos. Neither of them wore much more than low slung loincloths and Anita occasionally a corsage worn well below her small breasts. 1887 Mostly used as self-empowerment, it means to turn a disempowered situation into a more empowered one through certain actions. It manifests itself in various forms, from prejudice, to insults, to violence. It is this likewise dazzling and clichd image, long dominated by a male and binary gaze, that is in the focus of the exhibitionFemme Fatale. Another example of patriarchal structures: the man is supposed to propose marriage. Discrimination means the use of supposedly unambiguous distinctions to justify and rationalise unequal treatment. Public domain, Carl Strathmann (German, 1866-1939) What a fascinating and inspired concept for an exhibition! The classical image of the femme fatale was inspired mainly by biblical, mytho-logical and literary figures (such as Judith, Salome, Medusa, Salambo and the Sirens) that were associated in art between 1860 and 1920 with the notion of mortal danger. Orientalism and anti-Semitism in particular play a role in the femme fatale image. Museum der bildenden Kunste, Leipzig Many of his paintings are imaginative interpretations of the classical world, or portray mythological subjects in settings involving classical architecture, often allegorically exploring death and mortality in the context of a strange, fantasy world. The image is the poem as portrayed in the book by DOra. 50-65' at Jeu de Paume, Chteau de Tours, Photographs: 'Weegee (Arthur Fellig) (1899-1968) 9 crime-scene photographs' c. 1930s, Exhibition: 'Saul Leiter' at Kunst Haus Wien, Vienna, Photographs and text: George Platt Lynes and the male nude, Exhibition: 'Lionel Wendt: Ceylon' at Huis Marseille, Amsterdam, Exhibition: 'Nude Visions. In addition to his activity as an artist, he also assembled an important collection of French Impressionist works. How do contemporary artists negotiate the gaze, power and gender constellations this image evokes in an effort to shift our perspective? Oil on canvas This may happen in interpersonal relationships, such as bullying in school, or on a structural level, when for example People of Color repeatedly experience rejection when searching for apartments, or when people with specific therapy experience are denied civil servant status.

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